Author Beaumont Mary

tolerance which inspire so many of her sketches of character. She was devoted to him, refused all holiday invitations because he could not live without her, and worked incessantly for him except when she broke off to read him the sporting newspapers. Later in life she moved from Three Mile Cross to Swallowfield, where she died on 10 January 1855 after being injured in a road accident. She is buried in the village. Her writing has all the charm of unaffected spontaneous humour, combined with quick wit and literary skill. She met Elizabeth Barrett Browning in 1836, and their acquaintance ripened into a warm friendship. The strain of poverty told on her work, for although her books sold at high prices, her income did not keep pace with her father's extravagances. In 1837, however, she received a civil list pension, and five years later her father died. A subscription was raised to pay his debts, and the surplus increased Mary's income. She eventually moved to a cottage in Swallowfield, where she remained for the rest of her life. She is buried in the churchyard there. Her youthful ambition had been to be the greatest English poetess, and her first publications were poems in the manner of Samuel Taylor Coleridge and Walter Scott (Miscellaneous Verses, 1810, reviewed by Scott in the Quarterly; Christine, a metrical tale, 1811; Blanche, 1813). Her play Julian was produced at Covent Garden, with William Charles Macready in the title role, in 1823; The Foscari was performed at Covent Garden, with Charles Kemble as the hero, in 1826; Rienzi, 1828, the best of her plays, had a run of thirty-four nights, and Mary's friend, Thomas Noon Talfourd, imagined that its vogue militated against the success of his own play Ion. Charles the First was refused a licence by the Lord Chamberlain, but was played at the Surrey Theatre in 1834. The prose, to which she was driven by domestic necessities, is more successful than her verse. The first series of Our Village sketches appeared in 1824, a second in 1826, a third in 1828, a fourth in 1830, a fifth in 1832. They were reprinted several times. Belford Regis, a novel in which the neighbourhood and society of Reading were idealized, was published in 1835. Her Recollections of a Literary Life (1852) is a series of causeries about her favorite books. Her talk was said by her friends, Elizabeth Browning and Hengist Horne, to have been even more amusing than her books, and five volumes of her Life and Letters, published in 1870 and 1872, show her to have been a delightful letter-writer. Each year links to its corresponding "[year] in poetry" or "[year] in literature":