A Biographical And Critical Dictionary of Painters, Engravers, Sculptors, And Architects, From Ancient to Modern Times : With the Monograms, Ciphers, And Marks Used By Distinguished Artists to Certify Their Work V.2
The book A Biographical And Critical Dictionary of Painters, Engravers, Sculptors, And Architects, From Ancient to Modern Times : With the Monograms, Ciphers, And Marks Used By Distinguished Artists to Certify Their Work V.2 was written by author Spooner Shearjashub Here you can read free online of A Biographical And Critical Dictionary of Painters, Engravers, Sculptors, And Architects, From Ancient to Modern Times : With the Monograms, Ciphers, And Marks Used By Distinguished Artists to Certify Their Work V.2 book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is A Biographical And Critical Dictionary of Painters, Engravers, Sculptors, And Architects, From Ancient to Modern Times : With the Monograms, Ciphers, And Marks Used By Distinguished Artists to Certify Their Work V.2 a good or bad book?
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The same may be said of the " Triumphs of Maximilian." His principal works are, " The Life and Pa.ssion of Christ." in thirty-seven cuts, published at Frankfort in 1537 ; .ind '' The Miracles. Parables, &c., of Christ," in thirtj'-six cuts. The generality of writers, espe- cially the older German, mention only one Schaeu- flein, but Huber and some others say there were two, the Elder and the Younger. The elder, they say, flourished about 1480, and they suppose, from the style of the prints they... attribute to him, marked simply H. with an S. on the cross-bar, that he was a disciple of Martin Schoen. The younger was born at Nuremberg about 1487, and distinguished himself as a painter as well as an engraver on wood ; and they suppose that he was a disciple of Albert Durer, whom he imitated both j in his paintings and engravings. All this, how- I ever, rests merely on conjecture. If there were any good grounds for believing that there were two Schaeufleins, from history or style, Bartsch would not have failed to have made the distinc- j tion, and to have separated and classified their ' prints.
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