A Defence of the Revival of Printing
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>4^ The moment was one of intense excitement when the first two pages were printed, and I was to find out if my interpretations of the tradition would warrant themselves. I think I am right in imagining that the body of Morris' golden type in relation to the up and down strokes is different from Jenson, as is the angle of the serifs also. In my present fount and the new one I am now designing, the body is slightly larger, more open, and the angle of the serifs different again: the insignificant... letter "i, " in which the most exigent critic might expect to see no difference whatever, differs therefore in its height, its upper serif, its straight serif, and in the dot; that is to say in every particular. In "The Dial, " No. 4, will be found the first published page of my type 28 folded to quarto scale, as first intended for Adlington's "Cupid and Psyche/' "a^frThe advisability, however, of pub- lishing works for which there was a crying need, led me to the thoughts of printing a Chatterton, to be followed by an edition of Keats; the issuing of the latter book by the Kelmscott Press de- ferred this intention until quite recently, "S^^From Keats back to the early poems of Milton was an obvious step: this pre- ceded the Poems of Suckling, of which there was no good or even passable edition, I was aided in the cutting of the frontispiece to the Milton by C, H.
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To quickly assess the difficulty of the text, read a short excerpt:
>4^ The moment was one of intense excitement when the first two pages were printed, and I was to find out if my interpretations of the tradition would warrant themselves. I think I am right in imagining that the body of Morris' golden type in relation to the up and down strokes is different from Jenson, as is the angle of the serifs also. In my present fount and the new one I am now designing, the body is slightly larger, more open, and the angle of the serifs different again: the insignificant... letter "i, " in which the most exigent critic might expect to see no difference whatever, differs therefore in its height, its upper serif, its straight serif, and in the dot; that is to say in every particular. In "The Dial, " No. 4, will be found the first published page of my type 28 folded to quarto scale, as first intended for Adlington's "Cupid and Psyche/' "a^frThe advisability, however, of pub- lishing works for which there was a crying need, led me to the thoughts of printing a Chatterton, to be followed by an edition of Keats; the issuing of the latter book by the Kelmscott Press de- ferred this intention until quite recently, "S^^From Keats back to the early poems of Milton was an obvious step: this pre- ceded the Poems of Suckling, of which there was no good or even passable edition, I was aided in the cutting of the frontispiece to the Milton by C, H.
What to read after A Defence of the Revival of Printing?
You can find similar books in the "Read Also" column, or choose other free books by Charles S Ricketts to read onlineMoreLess
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