A Grammar of Musical Harmony: the Substance of Lectures Delivered in St. Martin's Hall And the Training Institutions of the National Society

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129 there is a third between Re and Fa, and in fig. 130, a sveth between Fa and Re.
139. In no case can the 7* be omitted from the discord of the Seventh ; but any other note may.
Other considerations are, however, mixed up with the doubling or omission of notes in dissonant combinations which can only be treated in connexion with their resolution.
33 CHAPTER XIV.
Resolution of the Fundamental Discord of the Seventh.
" A dissonant interval must be resolved; the parts between which it is found m
...ust mate certain definite progressions in relation one to another, in order that the ear may be relieved from the feeling of suspense to which it uniformly gives rise. {Par. 74.) 140. The fandamental discord of the Seventh in its complete form includes at least two dissonant intervals — the seventh or its inversion the second (sometimes both), and the wwperfect fifth or its inversion the /^^wperfect fourth (seldom both.) {See fig. 131.) , Fig. 131.
-^- -Qcy- ei :S- " Of two parts separated by a seventh, the upper should faU one degree, while the lower may keep its place, rise a fourth, or fall a fifth." {Par.


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