A Grammar of the Greek New Testament in the Light of Historical Research

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The tendency to draw the pronouns toward the first part of the sentence may account for some of this transposition, as in rd ToWb, ae ypafifjMTa els navlav TreptTpeirei (Ac. 26 : 24), but the matter goes much beyond the personal pronouns, as in kv Trvevixari fiwKTiaBii- atade ayi(f (Ac. 1 : 5), fiLKpav ex^is 5\)vamv (Rev. 3 : 8), etc. But a large amount of personal liberty was exercised in such traj action of words.' Is there any such thing as ryhthm in the N. T.? Deiss- mann^ scouts the idea. ...If one thinks of the carefully balanced sentences of the Attic orators like Isocrates, Lysias and Demos- thenes, Deissmann is correct, for there is nothing that at all ap- proaches such artificial rhythm in the N. T., not even in Luke, Paul or Hebrews. Blass' insists that Paul shows rhythm in 1 Cor. and that the book is fuU of art. He compares* Paul with Cicero, Seneca, Q. Curtius, Apuleius, and finds rhythm also in Hebrews which "not unfrequently has a really oratorical and choice order of words." ^ He cites in Heb.

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