A History of American Literature volume 3

Cover A History of American Literature volume 3
A History of American Literature volume 3
William Peterfield Trent
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An d we are rightly inclined to regard Herne as our first exponent of reality in the sense of getting close to the soil. Edward Harrigan's (1845-1911) The Commercial Theatre 279 plays the best of which were Squatter Sovereignty (Theatre Comique, 9 January, 1882), Old Lavender (Theatre Comique, 3 September, 1877), The Mulligan Guard Ball (Theatre Co- mique, 9 February, 1879) were varied in their local colour, as were the farces of Charles Hoyt (1859-1900), who began play- writing with A Bunch of... Keys (Newark, 13 December, 1883) and created such pieces of the political and social moment as A Parlor Match, A Rag Baby, A Texas Steer; or, Money Makes the Mare Go, A Trip to Chinatown, A Milk White Flag, and A Temperance Town.
By 1880 the modern period of American drama was in the bud: a journalistic sense had entered the American theatre, and entered to good purpose, for it had given Howard a sense of reality. It has stayed in the theatre and has deprived it, in later exponents, of a logical completeness of idea.


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