A History of English Prose Fiction From Sir Thomas Malory to George Eliot
A History of English Prose Fiction From Sir Thomas Malory to George Eliot
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In our eReader you can find the full English version of the book. Read A History of English Prose Fiction From Sir Thomas Malory to George Eliot Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book A History of English Prose Fiction From Sir Thomas Malory to George Eliot
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To quickly assess the difficulty of the text, read a short excerpt:
His borrowed plumage and his imita- tion of Rabelais* style apart, Sterne had originality, a gift at all times rare, and always, perhaps, becoming rarer. As a humorist, he is to be classed with Fielding and Smollett, but as a novelist, his position in the his- tory of fiction is separate and unique.
** Tristram Shandy " has all the elements of a novel ex- * It would be difficult to find a more bare-faced and impudent literary theft than the case in which Sterne appropriated to himself the remon...- strance of Burton (" Anatomy of Melancholy"), against that very plagiarism which he (Sterne) was then committing. Burton said : ** As apothecaries, we make new mixtures, every day pour out of one vessel into another. * ♦ * We weave the same web, still twist the same rope again and again." Sterne says, with an effrontery all his own: ** Shall we forever make new books, as apothecaries make new medicines, by pouring only out of on€ vessel into another ? Are we (or ever to be twisting and untwisting the feame rope — forever n the same track ?
What to read after A History of English Prose Fiction From Sir Thomas Malory to George Eliot?
You can find similar books in the "Read Also" column, or choose other free books by Tuckerman Bayard to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
His borrowed plumage and his imita- tion of Rabelais* style apart, Sterne had originality, a gift at all times rare, and always, perhaps, becoming rarer. As a humorist, he is to be classed with Fielding and Smollett, but as a novelist, his position in the his- tory of fiction is separate and unique.
** Tristram Shandy " has all the elements of a novel ex- * It would be difficult to find a more bare-faced and impudent literary theft than the case in which Sterne appropriated to himself the remon...- strance of Burton (" Anatomy of Melancholy"), against that very plagiarism which he (Sterne) was then committing. Burton said : ** As apothecaries, we make new mixtures, every day pour out of one vessel into another. * ♦ * We weave the same web, still twist the same rope again and again." Sterne says, with an effrontery all his own: ** Shall we forever make new books, as apothecaries make new medicines, by pouring only out of on€ vessel into another ? Are we (or ever to be twisting and untwisting the feame rope — forever n the same track ?
What to read after A History of English Prose Fiction From Sir Thomas Malory to George Eliot?
You can find similar books in the "Read Also" column, or choose other free books by Tuckerman Bayard to read onlineMoreLess
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