A History of Pantomime
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In our eReader you can find the full English version of the book. Read A History of Pantomime Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book A History of Pantomime
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TheEnglish Pierrot enters like the tempest, and tumbles like a parcel; hislaugh resembles joyous thunder. He is short and fat; his face is flouredand streaked with paint; he has a great patch of red on each cheek; hismouth is enlarged by prolongation of the lips by means of two red bands, so that when he laughs his mouth appears to open from ear to ear. " The Pierrots--not only in France, but on the Continent generally--tookall the characteristics of the Zanys, Bertoldo, Paggliaccio, Gros, Giul...laume, Pedrolino, Gilles, Corviello, and Peppe Nappa, of the ItalianComedy, and all owing at least their original conception to the theatresof the Greeks, and the Romans. On the Italian stage there was not aprincipal Clown like in England, the foremost place being occupied byArlechino. The four principal masked characters of the Italian _Comediadel' Arte_ in Venice consisted of Tartaglia (a stammerer), Truffildino, Brighella (a representative of orators and public personages), andPantaloon (a native of Venice).
What to read after A History of Pantomime?
You can find similar books in the "Read Also" column, or choose other free books by Broadbent R. J. to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
TheEnglish Pierrot enters like the tempest, and tumbles like a parcel; hislaugh resembles joyous thunder. He is short and fat; his face is flouredand streaked with paint; he has a great patch of red on each cheek; hismouth is enlarged by prolongation of the lips by means of two red bands, so that when he laughs his mouth appears to open from ear to ear. " The Pierrots--not only in France, but on the Continent generally--tookall the characteristics of the Zanys, Bertoldo, Paggliaccio, Gros, Giul...laume, Pedrolino, Gilles, Corviello, and Peppe Nappa, of the ItalianComedy, and all owing at least their original conception to the theatresof the Greeks, and the Romans. On the Italian stage there was not aprincipal Clown like in England, the foremost place being occupied byArlechino. The four principal masked characters of the Italian _Comediadel' Arte_ in Venice consisted of Tartaglia (a stammerer), Truffildino, Brighella (a representative of orators and public personages), andPantaloon (a native of Venice).
What to read after A History of Pantomime?
You can find similar books in the "Read Also" column, or choose other free books by Broadbent R. J. to read onlineMoreLess
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