A History of Theatrical Art in Ancient And Modern Times volume 5
A History of Theatrical Art in Ancient And Modern Times volume 5
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In our eReader you can find the full English version of the book. Read A History of Theatrical Art in Ancient And Modern Times volume 5 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book A History of Theatrical Art in Ancient And Modern Times volume 5
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Writers of a somewhat later generation were Néricault, Destouches, and Marivaux, both genuine eighteenth century men, in whom both philosophy and the influence of English morals appear in the bud. Destouches, the refined diplomat, the trusted ambassador of the Regent to the Court of St James, had in London become acquainted with English literature, and borrowed material from it in his own way for his lightly-moralising character-plays, among which Le Glorieux became the most popular. Marivaux p...hilosophised ingeniously and elaborately over the tender feelings, and invented com- plicated plots for the display of his elegant characters.
However, none of these authors, who wrote a fluent and comprehensive style, broke new ground. We very seldom meet with a new character, a fresh type from life, like the coarse, ridiculously vain financier. This abundance of new plays contained no poetic wealth, only well-cultivated productive ability. The same situations, the same characters, though somewhat modified by time, recur over and over again, and dramatic art, which found no creative genius to regenerate it, naturally became stereotyped in accepted forms and departments to a degree unknown before.
What to read after A History of Theatrical Art in Ancient And Modern Times volume 5?
You can find similar books in the "Read Also" column, or choose other free books by Karl Mantzius to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Writers of a somewhat later generation were Néricault, Destouches, and Marivaux, both genuine eighteenth century men, in whom both philosophy and the influence of English morals appear in the bud. Destouches, the refined diplomat, the trusted ambassador of the Regent to the Court of St James, had in London become acquainted with English literature, and borrowed material from it in his own way for his lightly-moralising character-plays, among which Le Glorieux became the most popular. Marivaux p...hilosophised ingeniously and elaborately over the tender feelings, and invented com- plicated plots for the display of his elegant characters.
However, none of these authors, who wrote a fluent and comprehensive style, broke new ground. We very seldom meet with a new character, a fresh type from life, like the coarse, ridiculously vain financier. This abundance of new plays contained no poetic wealth, only well-cultivated productive ability. The same situations, the same characters, though somewhat modified by time, recur over and over again, and dramatic art, which found no creative genius to regenerate it, naturally became stereotyped in accepted forms and departments to a degree unknown before.
What to read after A History of Theatrical Art in Ancient And Modern Times volume 5?
You can find similar books in the "Read Also" column, or choose other free books by Karl Mantzius to read onlineMoreLess
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