A History of Water Colour Painting in England
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In our eReader you can find the full English version of the book. Read A History of Water Colour Painting in England Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book A History of Water Colour Painting in England
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He made a practice of painting on ivory-tinted Creswick paper, the surface of which he kept very wet. De Wint had a good connection among the publishers, and he produced many works for book illustration; his drawings lend themselves well for reproduction by means of engraving. He was, we consider, one of the most original and talented of the earlier members of the Society. He drew his inspi- ration directly from nature, and he had a deep appre- ciation of the charms of our native English scener...y, which he handled with rare skill. It has been well said of his art that it was "neither realistic nor ideal. " He had a wonder- ful sense of beauty of line, and he represented a wide land- scape with comparatively little labour, for he applied his washes freely and boldly, seldom resorting to sti2:)pling, and, except in his later works, he eschewed the use of body colour. His trees are well massed, but he had no special touches for his foliage. We admu^e him most in some of his slighter sketches, such as those in the beautiful collection bequeathed by Mr.
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You can find similar books in the "Read Also" column, or choose other free books by Gilbert Richard Redgrave to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
He made a practice of painting on ivory-tinted Creswick paper, the surface of which he kept very wet. De Wint had a good connection among the publishers, and he produced many works for book illustration; his drawings lend themselves well for reproduction by means of engraving. He was, we consider, one of the most original and talented of the earlier members of the Society. He drew his inspi- ration directly from nature, and he had a deep appre- ciation of the charms of our native English scener...y, which he handled with rare skill. It has been well said of his art that it was "neither realistic nor ideal. " He had a wonder- ful sense of beauty of line, and he represented a wide land- scape with comparatively little labour, for he applied his washes freely and boldly, seldom resorting to sti2:)pling, and, except in his later works, he eschewed the use of body colour. His trees are well massed, but he had no special touches for his foliage. We admu^e him most in some of his slighter sketches, such as those in the beautiful collection bequeathed by Mr.
What to read after A History of Water Colour Painting in England?
You can find similar books in the "Read Also" column, or choose other free books by Gilbert Richard Redgrave to read onlineMoreLess
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