A Manual of Simple, Double, Triple And Quadruple Counterpoint
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In our eReader you can find the full English version of the book. Read A Manual of Simple, Double, Triple And Quadruple Counterpoint Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book A Manual of Simple, Double, Triple And Quadruple Counterpoint
What reading level is A Manual of Simple, Double, Triple And Quadruple Counterpoint book?
To quickly assess the difficulty of the text, read a short excerpt:
c. f.
i ^ £-sLJ=:^ 1 — Yj-r rf ~^Tg ^'-H-^^j- -^ % ^^ J . I -t-r 9: ^ -^ : — ^ U — ^ ^ Iff ^1 g, j_« 1 S> or: Cp.
94.
c.f.
#^ •^1^ ^ l^ ^ 4^JT^ J §^ i ^ :2^ -jy- § 12. Here follow some examples of a counterpoint in the soprano to a cantns firmus in alto and tenor.
Cantus firmus in Alto.
Cp.
C.f.
95.
^^^^^^M a^ 3£: ; j-j J . J- \7^M J iJ '^ ^s * § 12. IWO NOTES IN THE UPPER PARTS.
Cantus firmus in Tenor.
29 Cp.
96.
c. f.
i fcS JZJ l l J J,"' J ::J=;i^ zz a.
^$ i a m ^ s i I g- zziz The student' ...may now place a counterpoint of two notes in the soprano against the cantus firmus alternately in the bass, alto and tenor of the following examples. If necessary, the cantus firmus of some preceding exercises may be treated over again for counterpoint in soprano.
\ Exercises, 97. i^E :3r.
-«^:=s 3= \98. iM$E g I "g |^; ^| g I '^ \99. ^ 100. -^YtlF ^ zsz 101. ^MM= 102, PJ^i^ Ie 32= 1221 rai iS==2z: 103. ^^ ^ 30 CHAPTEB III 13.
104.- P|3$= m 105.
106.
w CantDS firinus in Alfb.
^^^^^^^^^^^ ^ 107.
What to read after A Manual of Simple, Double, Triple And Quadruple Counterpoint?
You can find similar books in the "Read Also" column, or choose other free books by Salomon Jadassohn to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
c. f.
i ^ £-sLJ=:^ 1 — Yj-r rf ~^Tg ^'-H-^^j- -^ % ^^ J . I -t-r 9: ^ -^ : — ^ U — ^ ^ Iff ^1 g, j_« 1 S> or: Cp.
94.
c.f.
#^ •^1^ ^ l^ ^ 4^JT^ J §^ i ^ :2^ -jy- § 12. Here follow some examples of a counterpoint in the soprano to a cantns firmus in alto and tenor.
Cantus firmus in Alto.
Cp.
C.f.
95.
^^^^^^M a^ 3£: ; j-j J . J- \7^M J iJ '^ ^s * § 12. IWO NOTES IN THE UPPER PARTS.
Cantus firmus in Tenor.
29 Cp.
96.
c. f.
i fcS JZJ l l J J,"' J ::J=;i^ zz a.
^$ i a m ^ s i I g- zziz The student' ...may now place a counterpoint of two notes in the soprano against the cantus firmus alternately in the bass, alto and tenor of the following examples. If necessary, the cantus firmus of some preceding exercises may be treated over again for counterpoint in soprano.
\ Exercises, 97. i^E :3r.
-«^:=s 3= \98. iM$E g I "g |^; ^| g I '^ \99. ^ 100. -^YtlF ^ zsz 101. ^MM= 102, PJ^i^ Ie 32= 1221 rai iS==2z: 103. ^^ ^ 30 CHAPTEB III 13.
104.- P|3$= m 105.
106.
w CantDS firinus in Alfb.
^^^^^^^^^^^ ^ 107.
What to read after A Manual of Simple, Double, Triple And Quadruple Counterpoint?
You can find similar books in the "Read Also" column, or choose other free books by Salomon Jadassohn to read onlineMoreLess
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