A New History of Painting in Italy, From the Ii to the Xvi Century;
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In the Academy at Venice is also a picture by Lorenzo of the year 1358, representing the Virgin and Child with angels (see Ventubi, op. eit., v., p. 931). Two panels of Lorenzo, representing SS. Mark and John the Baptist, have recently been added to the Berlin Museum.] ' The lowest course of this antiquated picture contains SS. Martin, Anthony, and Michael, a niche gilt and without ornament, an angel, a saint, and S._ George overcoming the Dragon; above this base, a row of niches with busts in ...relief at each side of three little subjects, surmoimted by another row of saints, Peter, Paul, Nicholas, Gregory, and another.
202 HISTORY OF PAINTING IN ITALY are in the old style, with high projecting foreheads, and not without a certain antique sternness ; the angel is long and slender, the S. George animated in movement. The picture is clearly Venetian, dark in tone, painted in sharp and mapped-out planes of full-bodied colour, verde in the shadows, red on the cheeks, and participating of the manner of Lorenzo and Stefano, who shall presently be mentioned.
What to read after A New History of Painting in Italy, From the Ii to the Xvi Century;?
You can find similar books in the "Read Also" column, or choose other free books by Crowe, J. A. (Joseph Archer), 1825-1896 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
In the Academy at Venice is also a picture by Lorenzo of the year 1358, representing the Virgin and Child with angels (see Ventubi, op. eit., v., p. 931). Two panels of Lorenzo, representing SS. Mark and John the Baptist, have recently been added to the Berlin Museum.] ' The lowest course of this antiquated picture contains SS. Martin, Anthony, and Michael, a niche gilt and without ornament, an angel, a saint, and S._ George overcoming the Dragon; above this base, a row of niches with busts in ...relief at each side of three little subjects, surmoimted by another row of saints, Peter, Paul, Nicholas, Gregory, and another.
202 HISTORY OF PAINTING IN ITALY are in the old style, with high projecting foreheads, and not without a certain antique sternness ; the angel is long and slender, the S. George animated in movement. The picture is clearly Venetian, dark in tone, painted in sharp and mapped-out planes of full-bodied colour, verde in the shadows, red on the cheeks, and participating of the manner of Lorenzo and Stefano, who shall presently be mentioned.
What to read after A New History of Painting in Italy, From the Ii to the Xvi Century;?
You can find similar books in the "Read Also" column, or choose other free books by Crowe, J. A. (Joseph Archer), 1825-1896 to read onlineMoreLess
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