A New System of Harmony Based On Four Fundamental Chords

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Irregular progression; seventh keeps in the same part.
PROGRESSIONS OF THE MIXED CHORD II 2 9 (c) VII-III. Irregular progression; seventh goes down a second.
MIXED CHORD II CONNECTED WITH NATURAL TRIADS 78 7 Mixed II with natural triads . A | b c \ d, i *r-, PF=?
tr-nT"8=H r VII II \TT\r I (a) II-L Regular progression; seventh keeps in the same part.
7 (b) II-V. Regular progression; seventh goes down a second.
7 (c) II- VII. Regular progression; seventh goes down a second.
7 (J) II-II. No progr
...ession; seventh goes up a second.
SAME CHORD CONNECTED WITH MIXED TRIADS 79 With mixed triads a b c JB^a i IV VI in m i I (a) II-IV. Irregular progression; seventh changes part and disappears as a dissonance.
7 (6) II- VI. Irregular progression; seventh keeps in the same part.
7 (c) II-III. Irregular progression; seventh goes down a second.
A NEW SYSTEM OF HARMONY MIXED CHORD IV CONNECTED WITH NATURAL CHORDS 80 7 Mixed IV with natural chords a bed f m m \ $d 1 fl i 3 II m * VMJ -^ | 1 1 m r tl I ?sr: * * i ^ *T v " 7H U Ri * P- ~~* p i r , I H zz: i, * .


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