A Pedal Method for the Piano
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40. AYe now come to an exception to this general rule. In examples 21 and 22, although the Bass remains the same, it becomes inharmonic, creating an Organ-j^oint. The effect to be attained, is that or nearly that produced upon the organ; i. E. , in l)oth examples the D in the Bass should be sustained throughout, without running the harmonic progressions above it into each other. The ])edal must be syncopated veryrajndhj on every recurring D.
21 Poco maestoso Heller. Op. 4 5, Vol. II.
22. Pill A...llegro.
V ^ cresc.
t ^ fq^ I Beethoven. Op. 2S.
t poco i 'j pi A A A J A w- F 28 1 te ^ ^ A /\ -y^—. — 1 — 7L ^ £ ^\* Note. — Tne peuai may aiso Ije syncopated on t'ae upper notes of the Bass ; i. E. , on A, B, C, etc, instead of on the D.
PEDAL EFFECTS.
50. The best explanation of what is meant by "pedal effects" will be found in the illustrations. To create them requires not only a thorough knowledge of the pedal, but also a certain amount of ingenuity. The most difficult of such effects to comprehend are what Leschetizky calls "little pedal pressures" (kleine Pedal-Drucker).
What to read after A Pedal Method for the Piano?
You can find similar books in the "Read Also" column, or choose other free books by Albert F Venino to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
40. AYe now come to an exception to this general rule. In examples 21 and 22, although the Bass remains the same, it becomes inharmonic, creating an Organ-j^oint. The effect to be attained, is that or nearly that produced upon the organ; i. E. , in l)oth examples the D in the Bass should be sustained throughout, without running the harmonic progressions above it into each other. The ])edal must be syncopated veryrajndhj on every recurring D.
21 Poco maestoso Heller. Op. 4 5, Vol. II.
22. Pill A...llegro.
V ^ cresc.
t ^ fq^ I Beethoven. Op. 2S.
t poco i 'j pi A A A J A w- F 28 1 te ^ ^ A /\ -y^—. — 1 — 7L ^ £ ^\* Note. — Tne peuai may aiso Ije syncopated on t'ae upper notes of the Bass ; i. E. , on A, B, C, etc, instead of on the D.
PEDAL EFFECTS.
50. The best explanation of what is meant by "pedal effects" will be found in the illustrations. To create them requires not only a thorough knowledge of the pedal, but also a certain amount of ingenuity. The most difficult of such effects to comprehend are what Leschetizky calls "little pedal pressures" (kleine Pedal-Drucker).
What to read after A Pedal Method for the Piano?
You can find similar books in the "Read Also" column, or choose other free books by Albert F Venino to read onlineMoreLess
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