A Practical Discourse On Some Principles of Hymn-Singing
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24. 25. 28. 35. 38. 56. 94. HENRY LAWES, 1638, one, No. 73. JOHANN CRUEGER, 1640, four, Nos. 41. 57. 93. 97. English & Scotch, 1600-1650, seven, Nos. 10. 40. 50. 51. 60. 63. 71. German, 17th cent, two, Nos. 69. 90. JEREMY CLARK, 1700, nine, Nos. 5. 6. 7. 8. 9. 21. 61. 81. 95. WILLIAM CROFT, 1710, four, Nos. 34. 43. 52. 76. English, 18th cent. , four, Nos. 12. 26. 33. 65. J. S. BACH, eight settings, mostly of earlier melodies, Nos. 13. 57. 62. 80. 83. 85. 90. 97. Seven new tunes by H. E. W. , No...s. 4. 11. 17. 18. 22. 46. 96.
NOTE 'The seven tunes by Tallis are all transcripts of his original four-partcompositions. Only two of these tunes are in the common books; one ofthem "The Ordinal" is always reset, the other "Canon, " which is usuallysung to Bp. Ken's evening hymn, is completely altered, the canon beingput in a different position and the harmony changed. This tune is Ibelieve correctly edited for the first time in the Y. H. And it is nowthus sung at Wells Cathedral.
'Of the eight tunes by Orlando Gibbons, two only (and these altered bothin rhythm and harmony) appear in the common books.
What to read after A Practical Discourse On Some Principles of Hymn-Singing?
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To quickly assess the difficulty of the text, read a short excerpt:
24. 25. 28. 35. 38. 56. 94. HENRY LAWES, 1638, one, No. 73. JOHANN CRUEGER, 1640, four, Nos. 41. 57. 93. 97. English & Scotch, 1600-1650, seven, Nos. 10. 40. 50. 51. 60. 63. 71. German, 17th cent, two, Nos. 69. 90. JEREMY CLARK, 1700, nine, Nos. 5. 6. 7. 8. 9. 21. 61. 81. 95. WILLIAM CROFT, 1710, four, Nos. 34. 43. 52. 76. English, 18th cent. , four, Nos. 12. 26. 33. 65. J. S. BACH, eight settings, mostly of earlier melodies, Nos. 13. 57. 62. 80. 83. 85. 90. 97. Seven new tunes by H. E. W. , No...s. 4. 11. 17. 18. 22. 46. 96.
NOTE 'The seven tunes by Tallis are all transcripts of his original four-partcompositions. Only two of these tunes are in the common books; one ofthem "The Ordinal" is always reset, the other "Canon, " which is usuallysung to Bp. Ken's evening hymn, is completely altered, the canon beingput in a different position and the harmony changed. This tune is Ibelieve correctly edited for the first time in the Y. H. And it is nowthus sung at Wells Cathedral.
'Of the eight tunes by Orlando Gibbons, two only (and these altered bothin rhythm and harmony) appear in the common books.
What to read after A Practical Discourse On Some Principles of Hymn-Singing?
You can find similar books in the "Read Also" column, or choose other free books by Bridges Robert Seymour to read onlineMoreLess
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