A Practical Introduction to Composition Harmony Simplified
A Practical Introduction to Composition Harmony Simplified
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The use of the seventh chords in the* minor mode varies but little from their use in the major mode. All the harmonies on tiie dominant, that is, the V^, V^ g, V^ g ^^, Y,, g ^^ ^3, are only found when the dominant is made major, and are then used as in the major mode, but the chords themselves are slightly different in their form. The V^ is the same in both modes, and the reso- lution of the third (Se) and the seventh (Ray) is the same, only Ray moves down a whole step to Doh, whereas in the m...ajor mode the seventh of the V^ (Fah) moves down a half step to Me.
The Y^ g is used as in the major mode, but the ninth (Fah) is a minor ninth, resolving downward a half step.
The v., jj, or Y,j g ^^, is rare, but is used as in the major mode.
The V,, j3, which is about the only form in which the chord of the thirteenth occurs, is used as in the major mode, the thirteenth being here a minor interval.
The 11^ is very frequently used, and in the same way as in the major mode. Figure 119, d.
The VI^ and the III^ are used as are the corresponding chords ia the major mode.
What to read after A Practical Introduction to Composition Harmony Simplified?
You can find similar books in the "Read Also" column, or choose other free books by Francis Lodowick York to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The use of the seventh chords in the* minor mode varies but little from their use in the major mode. All the harmonies on tiie dominant, that is, the V^, V^ g, V^ g ^^, Y,, g ^^ ^3, are only found when the dominant is made major, and are then used as in the major mode, but the chords themselves are slightly different in their form. The V^ is the same in both modes, and the reso- lution of the third (Se) and the seventh (Ray) is the same, only Ray moves down a whole step to Doh, whereas in the m...ajor mode the seventh of the V^ (Fah) moves down a half step to Me.
The Y^ g is used as in the major mode, but the ninth (Fah) is a minor ninth, resolving downward a half step.
The v., jj, or Y,j g ^^, is rare, but is used as in the major mode.
The V,, j3, which is about the only form in which the chord of the thirteenth occurs, is used as in the major mode, the thirteenth being here a minor interval.
The 11^ is very frequently used, and in the same way as in the major mode. Figure 119, d.
The VI^ and the III^ are used as are the corresponding chords ia the major mode.
What to read after A Practical Introduction to Composition Harmony Simplified?
You can find similar books in the "Read Also" column, or choose other free books by Francis Lodowick York to read onlineMoreLess
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