A Primer of Modern Musical Tonality Intended for Self Study As An Introductio
A Primer of Modern Musical Tonality Intended for Self Study As An Introductio
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21 — 30, pp. 31, 32), it follows that to change a minor into a major interval we have only to make the former greater by such a half-step, which is done by chromatically raising the tipper tone or lotveritig the loiver tone. In cbanging, •on the contrary, a major into a minor interval, the upper tone is chromatically loivered, or the lower one is chromatically raised.
Remark. — The chromatic alteration whereby minor intervals are changed into major, and contrariwise, effects the transposition o...f intervals, in this sense, that every pair of staff-degrees which is the normal seat of a minor interval — for instance, a-c (minor Third), e-a (minor Fourth), h-f (minor Fifth), etc. — may be used also for a major interval of the same denomination, whereby major intervals may be said to be transposed to new seats on the staff. But, while the chromatic alteration of minor into major, and con- trariwise, accidentally effects transposition in this way, yet its primary effect is to change an interval as to kind, Avhich is not done in transposition proper, as we have seen.
What to read after A Primer of Modern Musical Tonality Intended for Self Study As An Introductio?
You can find similar books in the "Read Also" column, or choose other free books by Cornell, J. H. (John Henry), 1828-1894 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
21 — 30, pp. 31, 32), it follows that to change a minor into a major interval we have only to make the former greater by such a half-step, which is done by chromatically raising the tipper tone or lotveritig the loiver tone. In cbanging, •on the contrary, a major into a minor interval, the upper tone is chromatically loivered, or the lower one is chromatically raised.
Remark. — The chromatic alteration whereby minor intervals are changed into major, and contrariwise, effects the transposition o...f intervals, in this sense, that every pair of staff-degrees which is the normal seat of a minor interval — for instance, a-c (minor Third), e-a (minor Fourth), h-f (minor Fifth), etc. — may be used also for a major interval of the same denomination, whereby major intervals may be said to be transposed to new seats on the staff. But, while the chromatic alteration of minor into major, and con- trariwise, accidentally effects transposition in this way, yet its primary effect is to change an interval as to kind, Avhich is not done in transposition proper, as we have seen.
What to read after A Primer of Modern Musical Tonality Intended for Self Study As An Introductio?
You can find similar books in the "Read Also" column, or choose other free books by Cornell, J. H. (John Henry), 1828-1894 to read onlineMoreLess
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