A Record of Spanish Painting
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2 The word muchacJios means boys. The term is always used for street urchins.
' Francisco Antolinez was born at Seville, the year is unknown. He worked with Murillo at the Academia. Later he came to Madrid, where he died in 1676. He was the nephew of Jose Antolinez. There 268 Period of Decline handled, and have the appearance of being studies for Murillo's pictures.
The Sevillian painter, Ignacio de Iriarte, demands a more distinctive notice. He was the one Spanish artist of any moment who work...ed exclusively at landscape.^ Iriarte was born at Azcoitia, a small town in Guipiizcoa, in 1620. He spent his life in Seville, and died in 1685. - His pictures are not often seen, and there is no example of his work in the Museo of the southern capital. Four of his studies are in the Prado at Madrid. They are wild and rugged scenes, showing rocks, water, and trees. One study of a wind-torn stump on the verge of a tumbling stream is a sketch of power. The Spanish writers are extravagant in praise of Iriarte's vistas.
What to read after A Record of Spanish Painting?
You can find similar books in the "Read Also" column, or choose other free books by Catherine Gasquoine Gallichan to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
2 The word muchacJios means boys. The term is always used for street urchins.
' Francisco Antolinez was born at Seville, the year is unknown. He worked with Murillo at the Academia. Later he came to Madrid, where he died in 1676. He was the nephew of Jose Antolinez. There 268 Period of Decline handled, and have the appearance of being studies for Murillo's pictures.
The Sevillian painter, Ignacio de Iriarte, demands a more distinctive notice. He was the one Spanish artist of any moment who work...ed exclusively at landscape.^ Iriarte was born at Azcoitia, a small town in Guipiizcoa, in 1620. He spent his life in Seville, and died in 1685. - His pictures are not often seen, and there is no example of his work in the Museo of the southern capital. Four of his studies are in the Prado at Madrid. They are wild and rugged scenes, showing rocks, water, and trees. One study of a wind-torn stump on the verge of a tumbling stream is a sketch of power. The Spanish writers are extravagant in praise of Iriarte's vistas.
What to read after A Record of Spanish Painting?
You can find similar books in the "Read Also" column, or choose other free books by Catherine Gasquoine Gallichan to read onlineMoreLess
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