A Short History of English Versification, From the Earliest Times to the Present Day; a Handbook for Teachers And Students
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In our eReader you can find the full English version of the book. Read A Short History of English Versification, From the Earliest Times to the Present Day; a Handbook for Teachers And Students Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book A Short History of English Versification, From the Earliest Times to the Present Day; a Handbook for Teachers And Students
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To quickly assess the difficulty of the text, read a short excerpt:
§ 216.
quent. Surrey uses enjambement, and in later dramatic and epic blank verse it becomes more and more frequent.
With the great increase of enjambement it becomes more and more usual to put a sentence pause within the verse. Dramatic poets sometimes divide a verse between two or three speakers, e.g.
Shakespeare, especially in later dramas. Thus the "centre of gravity" is shifted from the end to a position within the verse, as in alliterative verse (§ 105).
Since in blank verse no two consec...utive verses are closely connected (as they are by rime in heroic couplets), the poet has full freedom in sentence grouping. Thus the poet has great freedom, almost as great freedom as prose would give him, but the scheme of the verse is always present in his mind and this determines a certain rhythmical grouping.
On the other hand a good style is essential for blank verse unless it is to approach too near prose ; cp. Lewis, Principles p. 63: "The fact is, after all is said, that the great glory of blank verse is not solely in its metre, but jointly in its metre and in its style.
What to read after A Short History of English Versification, From the Earliest Times to the Present Day; a Handbook for Teachers And Students?
You can find similar books in the "Read Also" column, or choose other free books by Kaluza, Max, 1856-1921 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
§ 216.
quent. Surrey uses enjambement, and in later dramatic and epic blank verse it becomes more and more frequent.
With the great increase of enjambement it becomes more and more usual to put a sentence pause within the verse. Dramatic poets sometimes divide a verse between two or three speakers, e.g.
Shakespeare, especially in later dramas. Thus the "centre of gravity" is shifted from the end to a position within the verse, as in alliterative verse (§ 105).
Since in blank verse no two consec...utive verses are closely connected (as they are by rime in heroic couplets), the poet has full freedom in sentence grouping. Thus the poet has great freedom, almost as great freedom as prose would give him, but the scheme of the verse is always present in his mind and this determines a certain rhythmical grouping.
On the other hand a good style is essential for blank verse unless it is to approach too near prose ; cp. Lewis, Principles p. 63: "The fact is, after all is said, that the great glory of blank verse is not solely in its metre, but jointly in its metre and in its style.
What to read after A Short History of English Versification, From the Earliest Times to the Present Day; a Handbook for Teachers And Students?
You can find similar books in the "Read Also" column, or choose other free books by Kaluza, Max, 1856-1921 to read onlineMoreLess
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