A Study of Poetry, By Bliss Perry
A Study of Poetry, By Bliss Perry
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Every **amplificator imperii** — every wid- ener of the bounds of the empire of poetry, like Vachel Lindsay with his experiments in chanted verse, Robert Frost with his subtle renderings of the cadences of actual speech.
Miss Amy Lowell with her doctrine of " curves" and " returns *' and polyphony — runs the risk of being regarded for a while as a technician and nothing more. Ultimately a finer balance is struck between the claims of form and con- tent: the ideas of a poet, his total vision of ...^ See Untermeyer's New Era, etc., pp. SJMHKS.
Digitized by VjOOQIC S46 THE LYBIC IN PABTICULAB Mfe, his contribution to the thought as well as to the craftsmanship of his generation, are thrown into the scale. Victor Hugo is now seen to be something far other than the mere amazing lyric virtuoso of the Odes et BaUades of 1826. Walt Whitman ultunately gets judged as Walt Whitman, and not merely as the inventor of a new type of free verse in 1855. A rough justice is done at last, no doubt, but for a long time the cleverest and most original manipulators of words and tunes are likely to be judged by their vir- tuosity alone.
What to read after A Study of Poetry, By Bliss Perry?
You can find similar books in the "Read Also" column, or choose other free books by Perry Bliss to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Every **amplificator imperii** — every wid- ener of the bounds of the empire of poetry, like Vachel Lindsay with his experiments in chanted verse, Robert Frost with his subtle renderings of the cadences of actual speech.
Miss Amy Lowell with her doctrine of " curves" and " returns *' and polyphony — runs the risk of being regarded for a while as a technician and nothing more. Ultimately a finer balance is struck between the claims of form and con- tent: the ideas of a poet, his total vision of ...^ See Untermeyer's New Era, etc., pp. SJMHKS.
Digitized by VjOOQIC S46 THE LYBIC IN PABTICULAB Mfe, his contribution to the thought as well as to the craftsmanship of his generation, are thrown into the scale. Victor Hugo is now seen to be something far other than the mere amazing lyric virtuoso of the Odes et BaUades of 1826. Walt Whitman ultunately gets judged as Walt Whitman, and not merely as the inventor of a new type of free verse in 1855. A rough justice is done at last, no doubt, but for a long time the cleverest and most original manipulators of words and tunes are likely to be judged by their vir- tuosity alone.
What to read after A Study of Poetry, By Bliss Perry?
You can find similar books in the "Read Also" column, or choose other free books by Perry Bliss to read onlineMoreLess
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