A Treatise On Musical Form And General Composition
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The melodies resulting from the above combinations will be less symmetrical and regular than those we have been hitherto considering; but they may be very beautiful notwith- standing.
21. "God save the Queen" may be cited as a remarkably good instance of a melody of a slightly irregular kind. Indeed it is so endeared to us by old associations and patriotic feelings, that we do not easily recognise its departures from the normal form. Yet it is essentially an irregular melody. It is divided into... two periods, but they are of unequal length. The former period consists of three strains of two bars each. The latter may be divided into two phrases of four bars, each of these phrases being divisible into strains of half that length — 18 THE PRINCIPLES OF FORM AND GENERAL COMPOSITION.
$ j=^-\ J r rr-r-rv r^^^ t g^^^F^ -S=F Now the former period rather gives the idea of being an expansion of a regular four-bar phrase of two strains, formed by the interpolation of an additional strain, inserted between the two others and moulded as a counterpart to the first.
What to read after A Treatise On Musical Form And General Composition?
You can find similar books in the "Read Also" column, or choose other free books by Frederick Ouseley to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The melodies resulting from the above combinations will be less symmetrical and regular than those we have been hitherto considering; but they may be very beautiful notwith- standing.
21. "God save the Queen" may be cited as a remarkably good instance of a melody of a slightly irregular kind. Indeed it is so endeared to us by old associations and patriotic feelings, that we do not easily recognise its departures from the normal form. Yet it is essentially an irregular melody. It is divided into... two periods, but they are of unequal length. The former period consists of three strains of two bars each. The latter may be divided into two phrases of four bars, each of these phrases being divisible into strains of half that length — 18 THE PRINCIPLES OF FORM AND GENERAL COMPOSITION.
$ j=^-\ J r rr-r-rv r^^^ t g^^^F^ -S=F Now the former period rather gives the idea of being an expansion of a regular four-bar phrase of two strains, formed by the interpolation of an additional strain, inserted between the two others and moulded as a counterpart to the first.
What to read after A Treatise On Musical Form And General Composition?
You can find similar books in the "Read Also" column, or choose other free books by Frederick Ouseley to read onlineMoreLess
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