A Treatise On Musical Form And General Composition
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About half-way through an extended melody it is usual and desirable to come to a full close in some nearly related key, such as the dominant, or the relative minor or major. This rests the eai without giving the effect of final completion, and thus prepares the way for the remainder of the tune. And great care should be taken that each period should flow easily out of its OF MELODY. 27 predecessor, without any violent break in the tonality ; otherwise a jerky and disconnected effect would be pr...oduced, which ought to be carefully avoided.
29. In the next place there is a great distinction between vocal and instrumental melody. Instrumental melody may range over a larger compass of notes than vocal ; it may indulge in distant skips and awkward intervals, which are utterly inadmissible in music for voices. Again, vocal music is very dependent on the words to which it is set, and of which it should be the exponent. The emotional character of the words should govern the style of the melody.
What to read after A Treatise On Musical Form And General Composition?
You can find similar books in the "Read Also" column, or choose other free books by Frederick Arthur Gore Ouseley to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
About half-way through an extended melody it is usual and desirable to come to a full close in some nearly related key, such as the dominant, or the relative minor or major. This rests the eai without giving the effect of final completion, and thus prepares the way for the remainder of the tune. And great care should be taken that each period should flow easily out of its OF MELODY. 27 predecessor, without any violent break in the tonality ; otherwise a jerky and disconnected effect would be pr...oduced, which ought to be carefully avoided.
29. In the next place there is a great distinction between vocal and instrumental melody. Instrumental melody may range over a larger compass of notes than vocal ; it may indulge in distant skips and awkward intervals, which are utterly inadmissible in music for voices. Again, vocal music is very dependent on the words to which it is set, and of which it should be the exponent. The emotional character of the words should govern the style of the melody.
What to read after A Treatise On Musical Form And General Composition?
You can find similar books in the "Read Also" column, or choose other free books by Frederick Arthur Gore Ouseley to read onlineMoreLess
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