Aeneidea, Or, Critical, Exegetical, And Aesthetical Remarks On the Aeneis : With a Personal Collation of All the First Class Mss., Upwards of One Hundred Second Class Mss., And All the Principal Editions
Aeneidea, Or, Critical, Exegetical, And Aesthetical Remarks On the Aeneis : With a Personal Collation of All the First Class Mss., Upwards of One Hundred Second Class Mss., And All the Principal Editions
James Henry
The book Aeneidea, Or, Critical, Exegetical, And Aesthetical Remarks On the Aeneis : With a Personal Collation of All the First Class Mss., Upwards of One Hundred Second Class Mss., And All the Principal Editions was written by author James Henry Here you can read free online of Aeneidea, Or, Critical, Exegetical, And Aesthetical Remarks On the Aeneis : With a Personal Collation of All the First Class Mss., Upwards of One Hundred Second Class Mss., And All the Principal Editions book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Aeneidea, Or, Critical, Exegetical, And Aesthetical Remarks On the Aeneis : With a Personal Collation of All the First Class Mss., Upwards of One Hundred Second Class Mss., And All the Principal Editions a good or bad book?
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ufundci' or scrond •jfirding pn*- Google Digitized by VjOOQ :^2o-328 irF.rs-PRKMKXT.] fiOOt 1. 62,^ liniinary to active exertion. See Rem. on ''node sinus eollecta fluentes," 1. 324. Exactly paraUel is 7. 188: "ipse Quirinali lituo, parvaque sedebat succinctus trabea, laevaqno ancilo gorebat Pious oquum domitor," where Picus is represented not as wearing either litnus or trabea in a girth or belt, but as equipped with lituus and trabea; exactly as in our text Veniu? is represented not as wearin...g eitlier quiver or lynx-skin in a belt, but as equipped with both. The mistake both of Ser\'ius's "alii" and of Heyne and Wagner is that inveterate one of taking in a strict, narrow and special sense that which is meant loosely and generally, and here, as so often elsewhere, ignoring that in wliich the life whether of poetry or prose chiefly consists, viz., metaphor. No- tliing is more common tlian tliis metaphorical use of succinc- tus. See Prudent. Psychom, 42: "quam [Pudicitiam] patrias succincta faces Sodomita Libido aggreditur, piceamque ardenti sulphure pinum ingerit in faciem, pudibandaqne hiniina flammis appetit, et tetro tentat safPondere fuino*' (where the "faces" with which Libido is represented as "suc- cincta" (equipped and ready for action) can by no possibility be either girt round her waist, or suspended in a belt over hen- shoulder, and can only be held in her hand).
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