Aesthetic Criticism in Canada Its Aims Methods And Status Being a Short Propa
Aesthetic Criticism in Canada Its Aims Methods And Status Being a Short Propa
J D John Daniel Logan
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The public, cultured and uncultured, will resent criticism of their apprecia- tions of drama and music with the same warmth or pugnacity that they resent criticism of their politics and religion. Before the theatre-going or the music-loving public, the dramatic or the musical critic is face to face with Scylla. Again: the proprietors of theatres, managers of theatrical companies, players and playwrights, managers of concert-halls, impressarios, musical composers, soloists, and orchestral and ch...oral con- ductors regard a dramatic or a musical critic as a nuisance and, sometimes, as an enemy unless, as one of the insurgent critics in New York put it, he is "hypocritically affectionate" in his writings about contemporary theatrical and concert-hall performances. Caught in the whirlpools of the aspersions, animadversions, and even insults of all these "influential" per- sons, the dramatic or the musical critic finds himself in the smothering waters of Charybdis. What shall be the eventual issue?
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