American Portraits, 1875-1900

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But there is rarely any indication of rapture about it. In art he was familiar with great painting and at times shows a deep interest in it. He adored Italy for its artistic richness, for its depth of memory, and for its melan- choly associative beauty. But outside of painting he does not seem to have cared much for the simply beau- tiful. His pleasure in poetry was limited. He never wrote it and seldom read it, unless certain French writers. Music was a sealed world to him.
It is when we come
...to human relations that James as a man really begins to seem alive. To be sure, like most intellectual workers, he lived much in solitude and cherished it, sought again and again to find some remote corner of the world where he could order and develop his crowding visions without the bustling in- trusion of critics or flatterers or even friends. Yet in the main he enjoyed people, enjoyed frequenting so- ciety and dining out, haunting the thick throng for the inspiration and stimulus it gave his curious spirit.

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