An Essay On the Nature of Lyric Illustrated From the History of English Poetry

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These forms both in France and England w largely determined by the rhyming Latin liynu religious and amorous poetry overlap curiously ; I clerici vagaitCes were largely the authors of both, and find the Virgin Mary addressed in language closi resembling that used by the trouv&res to their mistress " 01 on that is so fayr and bright Velmi maris steila, Brighter than the day is light.
.' Parens et puella ; Ic crie to the, thou se to me, Levedy. preye thi sone for me, Tam pia, That ic mote come to
... the, Maria ! " The Latin tags are a relic of the rhyming verses in thi language ; we get also poems that make use of thn several tongues — ,LJ On the Nature of Lyric 37 "Scripsi htsc carmina in tabidis ; Mon ostel est en mi la vile de Paris.
May y sugge namore, so wel me is !
Yef hi deye (or love of her, duel hit y&." atfain — " A celuy que pluys eyme en mounde.
Of alle the that I have found, Carissiyna.
Saluz od trey^ amour, With grace and joye and alle honour, Didcissima." lus already the national need of artistic expression was iding forms, under French and Provencal influence, irhich bear a striking resemblance to the modem lyric,

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