An Introduction to Dramatic Theory
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In our eReader you can find the full English version of the book. Read An Introduction to Dramatic Theory Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book An Introduction to Dramatic Theory
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We can trace the merging of the one into the other very clearly in the giant person of Falstaff. Falstaff is a comic figure ; but, in Shakespeare's hands, he grows out of his world, and, ceasing to be a type, develops into a formal entity of his own. He is individualized, and so steps out of the bounds of comedy into the bounds of serious drama. It is this that accounts for the dissatisfaction we feel at the close of the second part of Henry IV. Had Falstaff remained a mere type as Pistol and B...ardolph are types, we should have felt no sorrow at his rejection ; but as Shakespeare has made H7 INTRODUCTION TO DRAMATIC THEORY him a personality and has treated him as if he had been a purely comic type we feel the incongruity of the situation, and for once are hardly inclined to accept without a murmur the words and the actions of the dramatist-creator. The clash of the two moods or methods produces an apparent disharmony. For the Falstaff of The Merry IVives, on the other hand, we feel no pity, because in The Merry Wives he is merely a type.
What to read after An Introduction to Dramatic Theory?
You can find similar books in the "Read Also" column, or choose other free books by Allardyce Nicoll to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
We can trace the merging of the one into the other very clearly in the giant person of Falstaff. Falstaff is a comic figure ; but, in Shakespeare's hands, he grows out of his world, and, ceasing to be a type, develops into a formal entity of his own. He is individualized, and so steps out of the bounds of comedy into the bounds of serious drama. It is this that accounts for the dissatisfaction we feel at the close of the second part of Henry IV. Had Falstaff remained a mere type as Pistol and B...ardolph are types, we should have felt no sorrow at his rejection ; but as Shakespeare has made H7 INTRODUCTION TO DRAMATIC THEORY him a personality and has treated him as if he had been a purely comic type we feel the incongruity of the situation, and for once are hardly inclined to accept without a murmur the words and the actions of the dramatist-creator. The clash of the two moods or methods produces an apparent disharmony. For the Falstaff of The Merry IVives, on the other hand, we feel no pity, because in The Merry Wives he is merely a type.
What to read after An Introduction to Dramatic Theory?
You can find similar books in the "Read Also" column, or choose other free books by Allardyce Nicoll to read onlineMoreLess
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