An Introduction to the Mechanics of the Inner Ear

Cover An Introduction to the Mechanics of the Inner Ear
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From our discussion in the preceding paragraph it fol- lows that during about nine-tenths of the period we should 56 UNIVERSITY OF MISSOURI STUDIES hear a tone and during one-tenth of the period we should hear nothing so far as the nerve ends of this section are con- cerned. The pitch of the tone we must expect to lie between the tones 34 and 25, acording to the probable frequency with which the stimulations are received during that part of the period during which they are received.
It is plain
... that the fourth, fifth and following sections of the partition must move up and down very much the same as the third section does, with this difference only, The "mean" tone that for each further section the pause when no stimulations at all are received becomes longer and longer. The total sensation, then, which is derived from the sum of the nerve ends of the third and the following sections must be a tone of a certain intensity at a certain time when all these sections mediate the sensation, but becoming weaker and weaker as one after another of the sections stops moving until for a moment it ceases alto- gether, then appearing again and increasing up to its former intensity.

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An Introduction to the Mechanics of the Inner Ear
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