An Introduction to the Study of National Music Comprising Researches Into Popul
An Introduction to the Study of National Music Comprising Researches Into Popul
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In our eReader you can find the full English version of the book. Read An Introduction to the Study of National Music Comprising Researches Into Popul Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book An Introduction to the Study of National Music Comprising Researches Into Popul
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Vigne ; London, 1842, vol. Ii. P. 320. § Egyptian Sepulchres and Syrian Shrines, by Emily A. Beaufort; London, 1861, vol. I. P. 384, ON NATIONAL I) A NOES. 249 perform merely for the pleasure of the excitement at . Their social gatherings and public rejoicings or festivities. There is a wonderful variety in the character of these performances as well as in the form and expression of the tunes. Savages not unfrequently use only a rhythmical accompaniment of a drum or rattle. Or they dance to voc...al music without any instrumental accompaniment. The reader must bear in mind that in order to obtain a correct impression from the notation of any such dance -tunes^ it is absolutely necessary to imagine the melody repeated many times without intermission ; for thus the music is always heard during the dancing at which it is used. NEGRO DANCES. * No. 1. Fkom Soudan. IS No. 2. Fkom Goe£e. #-^ ^^^^^S^pS & gpiEE^ §i^Efe£^^P^^^ No. 3. From Senegambia The Hungarians and the Swedes have, singularly enough, not unfrequently on festive occasions, dance tunes in the * As -written down by M.
What to read after An Introduction to the Study of National Music Comprising Researches Into Popul?
You can find similar books in the "Read Also" column, or choose other free books by Carl Engel to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Vigne ; London, 1842, vol. Ii. P. 320. § Egyptian Sepulchres and Syrian Shrines, by Emily A. Beaufort; London, 1861, vol. I. P. 384, ON NATIONAL I) A NOES. 249 perform merely for the pleasure of the excitement at . Their social gatherings and public rejoicings or festivities. There is a wonderful variety in the character of these performances as well as in the form and expression of the tunes. Savages not unfrequently use only a rhythmical accompaniment of a drum or rattle. Or they dance to voc...al music without any instrumental accompaniment. The reader must bear in mind that in order to obtain a correct impression from the notation of any such dance -tunes^ it is absolutely necessary to imagine the melody repeated many times without intermission ; for thus the music is always heard during the dancing at which it is used. NEGRO DANCES. * No. 1. Fkom Soudan. IS No. 2. Fkom Goe£e. #-^ ^^^^^S^pS & gpiEE^ §i^Efe£^^P^^^ No. 3. From Senegambia The Hungarians and the Swedes have, singularly enough, not unfrequently on festive occasions, dance tunes in the * As -written down by M.
What to read after An Introduction to the Study of National Music Comprising Researches Into Popul?
You can find similar books in the "Read Also" column, or choose other free books by Carl Engel to read onlineMoreLess
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