An Original Voice in Twentieth Century Music Oral History Transcript 1999
An Original Voice in Twentieth Century Music Oral History Transcript 1999
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So he would sit next to me and play viola, of course he could no longer play. I can no longer play, I know exactly how he felt. But when I say no longer play, I can take the violin and play but I wouldn t even want to hear myself play.
Crawford: Because of agility?
76 Sheinfeld: Oh, well, I no longer have any callouses. It s all gone and that s all. I can play, I can still play technically, but I mean the real skill is gone. Anyway, Monteux sat next to me and so obviously he heard me play. So t...hat was one thing. When our season was coming to an end, he asked me if I would play at the concert, and I said, "Sure. " There was a boy who was sixteen years old and he was already a brilliant pianist and his name was Leon Fleisher. And Leon was there, and so the two of us played the Cesar Franck Sonata at the concert. But that was it. Monteux did not say anything to me.
The next day, my colleagues told me that I had made quite an impression on maitre. I had made quite an impression on Monteux, but Monteux did not say anything to me.
What to read after An Original Voice in Twentieth Century Music Oral History Transcript 1999?
You can find similar books in the "Read Also" column, or choose other free books by David Ive Sheinfeld to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
So he would sit next to me and play viola, of course he could no longer play. I can no longer play, I know exactly how he felt. But when I say no longer play, I can take the violin and play but I wouldn t even want to hear myself play.
Crawford: Because of agility?
76 Sheinfeld: Oh, well, I no longer have any callouses. It s all gone and that s all. I can play, I can still play technically, but I mean the real skill is gone. Anyway, Monteux sat next to me and so obviously he heard me play. So t...hat was one thing. When our season was coming to an end, he asked me if I would play at the concert, and I said, "Sure. " There was a boy who was sixteen years old and he was already a brilliant pianist and his name was Leon Fleisher. And Leon was there, and so the two of us played the Cesar Franck Sonata at the concert. But that was it. Monteux did not say anything to me.
The next day, my colleagues told me that I had made quite an impression on maitre. I had made quite an impression on Monteux, but Monteux did not say anything to me.
What to read after An Original Voice in Twentieth Century Music Oral History Transcript 1999?
You can find similar books in the "Read Also" column, or choose other free books by David Ive Sheinfeld to read onlineMoreLess
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