Animation Art in the Commercial Film

The book Animation Art in the Commercial Film was written by author Eli L Levitan Here you can read free online of Animation Art in the Commercial Film book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Animation Art in the Commercial Film a good or bad book?

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For example, how does a ball bounce? Is its downward speed greater than its upward speed? What happens when a drop of water hits a solid surface? How does a cloud of dust dissipate?
Scientists offer pages of explanation to answer these questions, but draw- ing these actions realistically is something else again. There are no set rules for an animator to follow. Animators have individual styles and draw simi- lar actions differently. The only requirement is that the action, regardless of the sty...le, must look convincing and realistic when it appears on the screen.
Effects are very important because they help lend reality to a scene. For example, the accompanying illustration uses speed and vibration lines to add reality to the basic actions. Other animation effects often used are: dust, water splashes, smoke and fire, as well as blur effects which help to indicate great speed. These visual effects become even more realistic when accom- panied by appropriate sound effects.
When drawing effects the animator should follow the same rules for indi- cating color that he follows when animating the main action.

What to read after Animation Art in the Commercial Film?
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