Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi
Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi
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In our eReader you can find the full English version of the book. Read Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi
What reading level is Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi book?
To quickly assess the difficulty of the text, read a short excerpt:
) y, j Note this particularly in Bach.
In the following example, the first phrase ends in the key of A; in the second phrase Ct[ suggests the key of G, the flatter side of the original key of D: Elgar.
Ex. 177 In Ex. 178 note the wierdness pf the mediant chord (*), taken as a substitute for the dominant, which would naturally follow the supertonic harmony. Both the mediant and submediant chords are borrowed from the key of C minor: Debussy.
Ex. 178 To be sure th castle is very & old, very gloom...y, 3 Tis Teryand 3 damp.
C: II 9 III VI 1 66. If a tone occurring in two consecutive chords is chro- matically altered in the second one, it is usually best to keep the altered tone in the same voice, especially if both chords have the same root; Ex. 179 Good.
The progression at (a) is called False Relation. It is not con- sidered false relation when the altered tone becomes a part of a dissonant chord.
128 In Ex. 1 80, the altered tones all become components of seventh chords : Debussy.
Rousseau.
What to read after Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi?
You can find similar books in the "Read Also" column, or choose other free books by C a Carrie Adelaide Alchin to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
) y, j Note this particularly in Bach.
In the following example, the first phrase ends in the key of A; in the second phrase Ct[ suggests the key of G, the flatter side of the original key of D: Elgar.
Ex. 177 In Ex. 178 note the wierdness pf the mediant chord (*), taken as a substitute for the dominant, which would naturally follow the supertonic harmony. Both the mediant and submediant chords are borrowed from the key of C minor: Debussy.
Ex. 178 To be sure th castle is very & old, very gloom...y, 3 Tis Teryand 3 damp.
C: II 9 III VI 1 66. If a tone occurring in two consecutive chords is chro- matically altered in the second one, it is usually best to keep the altered tone in the same voice, especially if both chords have the same root; Ex. 179 Good.
The progression at (a) is called False Relation. It is not con- sidered false relation when the altered tone becomes a part of a dissonant chord.
128 In Ex. 1 80, the altered tones all become components of seventh chords : Debussy.
Rousseau.
What to read after Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi?
You can find similar books in the "Read Also" column, or choose other free books by C a Carrie Adelaide Alchin to read onlineMoreLess
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