Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi

C a Carrie Adelaide Alchin

The book Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi was written by author C a Carrie Adelaide Alchin Here you can read free online of Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Applied Harmony a Text book for Those Who Desire a Better Understanding of Musi a good or bad book?

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) y, j Note this particularly in Bach.
In the following example, the first phrase ends in the key of A; in the second phrase Ct[ suggests the key of G, the flatter side of the original key of D: Elgar.
Ex. 177 In Ex. 178 note the wierdness pf the mediant chord (*), taken as a substitute for the dominant, which would naturally follow the supertonic harmony. Both the mediant and submediant chords are borrowed from the key of C minor: Debussy.
Ex. 178 To be sure th castle is very & old, very gloom...y, 3 Tis Teryand 3 damp.
C: II 9 III VI 1 66. If a tone occurring in two consecutive chords is chro- matically altered in the second one, it is usually best to keep the altered tone in the same voice, especially if both chords have the same root; Ex. 179 Good.
The progression at (a) is called False Relation. It is not con- sidered false relation when the altered tone becomes a part of a dissonant chord.
128 In Ex. 1 80, the altered tones all become components of seventh chords : Debussy.
Rousseau.

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