Architectural Perspective for Beginners, Containing Eleven Plates of Practical Examples, Considered With Reference to a Student in An Architect's Office

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A shadow, like a shade, should be transparent. That is, no matter how much depth it has, or how dark and heavy are the lines that make it, we should still be able to see under it or through it the surfaces it falls on.
After the shadow is lined in, the clapboards, for instance, can be seen through it, as, for instance, under the porch. The porch shadow is emphasized by crossed diagonal shadow lines.
The right-line pen may now be laid aside and the drawing completed with the common pen. The wind
...ows are the principal thing. As a rule, they are shown with window curtains, in order to give variety. The window spaces should give the impression of being the darkest portions and deepest shades of the drawing; but it is not necessary, nevertheless, to put them in solid black.
The drawing might be touched up here and there to advantage, in order to relieve its mechanical effect; but, as our object is merely to point out the rudiments of shading, it wiU be best to introduce nothing at this stage that might prove confusing.


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