Art Its Laws And the Reasons for Them
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But the consideration of this question would require an entire essay, and, besides, the occasion does not demand a decision, as we set out with the design simply of examining and analyzing the characteristics of the founders of the four principal schools, and thus to furnish a history of the progressive growth of art from its infancy to manhood. "Begun by Cimabue, strengthened by Giotto, confirmed by Masaccio, still further advanced by Signorelli, we have at last seen it receiving its ultimate ...perfection at the hands of Michael Angelo, Da Vinci, Raphael, Correggio, and Titiqj|. " 136 TITIAN AND COEREGGIO. The first rendered it sublime, the three next characteristi- cally expressive, and the last voluptuously seductive. With the Venetian, painting was a lady arrayed for the nup- tials ; with the Koman and the Lombard, it was the personifica- tion of all the sweet affections and graces of humanity ; with the Florentine, it was that mysterious agency "that, standing upon the boundary line between the perfect and the good, the human and divine, was found not unworthy to hold intercourse with the Deity, and to be the medium of the communication of his will and benevolence to man.
What to read after Art Its Laws And the Reasons for Them?
You can find similar books in the "Read Also" column, or choose other free books by Samuel P Long to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
But the consideration of this question would require an entire essay, and, besides, the occasion does not demand a decision, as we set out with the design simply of examining and analyzing the characteristics of the founders of the four principal schools, and thus to furnish a history of the progressive growth of art from its infancy to manhood. "Begun by Cimabue, strengthened by Giotto, confirmed by Masaccio, still further advanced by Signorelli, we have at last seen it receiving its ultimate ...perfection at the hands of Michael Angelo, Da Vinci, Raphael, Correggio, and Titiqj|. " 136 TITIAN AND COEREGGIO. The first rendered it sublime, the three next characteristi- cally expressive, and the last voluptuously seductive. With the Venetian, painting was a lady arrayed for the nup- tials ; with the Koman and the Lombard, it was the personifica- tion of all the sweet affections and graces of humanity ; with the Florentine, it was that mysterious agency "that, standing upon the boundary line between the perfect and the good, the human and divine, was found not unworthy to hold intercourse with the Deity, and to be the medium of the communication of his will and benevolence to man.
What to read after Art Its Laws And the Reasons for Them?
You can find similar books in the "Read Also" column, or choose other free books by Samuel P Long to read onlineMoreLess
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