Art Principles in Portrait Photography Composition Treatment of Backgrounds a
Art Principles in Portrait Photography Composition Treatment of Backgrounds a
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In our eReader you can find the full English version of the book. Read Art Principles in Portrait Photography Composition Treatment of Backgrounds a Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Art Principles in Portrait Photography Composition Treatment of Backgrounds a
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To quickly assess the difficulty of the text, read a short excerpt:
If the distance between the two is in- creased, the mind has greater difficulty in reading them simultaneously, resulting in their greater slowness.
If we make one broad line of the two, the effect is a similar degree of slowness.
A fast line can be made slow by placing an oppo- sition on it.
CHARACTER AND NATURE OF LINES This opposing line at I checks the impetus gained from the starting-point Y. The mind's reading is arrested at X, the junction of the long line with line I. From here it must ...start anew, and the impetus therefore is not so great as if it had been unchecked from the point Y. * By placing more oppositions on a fast line, we may make it as slow as we desire.
By placing a line at a slant, not at right angles we retard the long line more gently, as there is no direct opposition. Instead there is a yielding quality, a slight diversion, having the effect of kindliness.
Its variations will produce the sense of quiet, still- ness, hush. As employed by the Egyptians, it sug- gests the soul leaving the body.
What to read after Art Principles in Portrait Photography Composition Treatment of Backgrounds a?
You can find similar books in the "Read Also" column, or choose other free books by Otto Walter Beck to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
If the distance between the two is in- creased, the mind has greater difficulty in reading them simultaneously, resulting in their greater slowness.
If we make one broad line of the two, the effect is a similar degree of slowness.
A fast line can be made slow by placing an oppo- sition on it.
CHARACTER AND NATURE OF LINES This opposing line at I checks the impetus gained from the starting-point Y. The mind's reading is arrested at X, the junction of the long line with line I. From here it must ...start anew, and the impetus therefore is not so great as if it had been unchecked from the point Y. * By placing more oppositions on a fast line, we may make it as slow as we desire.
By placing a line at a slant, not at right angles we retard the long line more gently, as there is no direct opposition. Instead there is a yielding quality, a slight diversion, having the effect of kindliness.
Its variations will produce the sense of quiet, still- ness, hush. As employed by the Egyptians, it sug- gests the soul leaving the body.
What to read after Art Principles in Portrait Photography Composition Treatment of Backgrounds a?
You can find similar books in the "Read Also" column, or choose other free books by Otto Walter Beck to read onlineMoreLess
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