Art Principles With Special Reference to Painting; Together With Notes On the Illusions Produced By the Painter
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In our eReader you can find the full English version of the book. Read Art Principles With Special Reference to Painting; Together With Notes On the Illusions Produced By the Painter Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Art Principles With Special Reference to Painting; Together With Notes On the Illusions Produced By the Painter
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« Revenge.
1 88 Art Principles How simply one may avoid the introduction of a skeleton in a design concerned with death, is shown by an example where three artists deal with the same motive — Death, the Friend. The first composition shows an old man sitting dead in a chair while a skeleton costumed as a monk, tolls a bell*: in the second there is also an old man in a chair, but an Angel with a scythe is substituted for the skeleton'' in the third an Angel with huge folded wings form- ing an ova...l framework for her figure, leans over the body of a child which has its face hidden.'^ The second design is a vast improvement over the first, but the third is incomparably the best of the three.
It may be remarked that a scythe is too trivial an emblem for the Angel of Death, for whom indeed an emblem of any kind is only admis- sible when Death is represented as the result of eternal justice, in which case a flaming sword is appropriate.
Very rarely indeed can a good picture be made out of a funeral scene.
What to read after Art Principles With Special Reference to Painting; Together With Notes On the Illusions Produced By the Painter?
You can find similar books in the "Read Also" column, or choose other free books by Govett, Ernest to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
« Revenge.
1 88 Art Principles How simply one may avoid the introduction of a skeleton in a design concerned with death, is shown by an example where three artists deal with the same motive — Death, the Friend. The first composition shows an old man sitting dead in a chair while a skeleton costumed as a monk, tolls a bell*: in the second there is also an old man in a chair, but an Angel with a scythe is substituted for the skeleton'' in the third an Angel with huge folded wings form- ing an ova...l framework for her figure, leans over the body of a child which has its face hidden.'^ The second design is a vast improvement over the first, but the third is incomparably the best of the three.
It may be remarked that a scythe is too trivial an emblem for the Angel of Death, for whom indeed an emblem of any kind is only admis- sible when Death is represented as the result of eternal justice, in which case a flaming sword is appropriate.
Very rarely indeed can a good picture be made out of a funeral scene.
What to read after Art Principles With Special Reference to Painting; Together With Notes On the Illusions Produced By the Painter?
You can find similar books in the "Read Also" column, or choose other free books by Govett, Ernest to read onlineMoreLess
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