Art Work in Gold And Silver Mediaeval
Art Work in Gold And Silver Mediaeval
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\_Frotn Kremsmiinster. '\ The earlier Censers were usually made of bronze and copper, but later examples are mostly of silver. Although the necessities of construction by which a basin for the reception of Ecclesiasiica I A^'t. 45 glowing coals, with openings in the lid for the escape of the smoke are constant, much variety of design has been produced by the artificers.
The censer of an architectural character (Fig. 32) here represented is probably of the latter part of the fourteenth or beginn...ing of the fifteenth century. Previous to that time, the sacred utensils which were required for the service of the c. Iurch were chiefly made in the ecclesiastical workshops which {Fiji. 30) CHALICE OF GOLD AND KNAMEL, END OF XIITH CENTURY.
\From Wilten, in Tyrol.^ were attached to cathedrals and monasteries. There was a celebrated workshop in the cloister of St. Denis, another in the precincts of Notre Dame ; and many of the famous monasteries had their own atelier d'orf^vrerie. The style adopted was purel}- ecclesiastical, and the cross was used wherever it was practicable ; but in the fourteenth century this work for the service of the church was often executed by the laity, and a different kind of ornamentation was introduced, in which architectural features were very prominent.
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To quickly assess the difficulty of the text, read a short excerpt:
\_Frotn Kremsmiinster. '\ The earlier Censers were usually made of bronze and copper, but later examples are mostly of silver. Although the necessities of construction by which a basin for the reception of Ecclesiasiica I A^'t. 45 glowing coals, with openings in the lid for the escape of the smoke are constant, much variety of design has been produced by the artificers.
The censer of an architectural character (Fig. 32) here represented is probably of the latter part of the fourteenth or beginn...ing of the fifteenth century. Previous to that time, the sacred utensils which were required for the service of the c. Iurch were chiefly made in the ecclesiastical workshops which {Fiji. 30) CHALICE OF GOLD AND KNAMEL, END OF XIITH CENTURY.
\From Wilten, in Tyrol.^ were attached to cathedrals and monasteries. There was a celebrated workshop in the cloister of St. Denis, another in the precincts of Notre Dame ; and many of the famous monasteries had their own atelier d'orf^vrerie. The style adopted was purel}- ecclesiastical, and the cross was used wherever it was practicable ; but in the fourteenth century this work for the service of the church was often executed by the laity, and a different kind of ornamentation was introduced, in which architectural features were very prominent.
What to read after Art Work in Gold And Silver Mediaeval?
You can find similar books in the "Read Also" column, or choose other free books by Wheatley Henry Benjamin to read onlineMoreLess
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