Articulation And the Agoraphobic Experiences in the Poems of Emily Dickinson
Articulation And the Agoraphobic Experiences in the Poems of Emily Dickinson
Thomas, Mary Jo
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Her goal, she claims, is merely the acceptance and enjoyment of the Indian summer days: "Permit a child to join," she asks. In order to complete this communion, to appreciate it fully, her enjoyment should be unencumbered by logic and skepticism; it should be child-like (or perhaps bird-like). Like the bird, sne must accept the "plausibility" of the phenomenon. What is demanded of the aspirer is the simplest, yet perhaps the most difficult, act of faith, the acceptance of the miraculous, the ac...ceptance of the suspension of time (the Indian summer) which the personalized bird-symbol represents. The "I" regarding itself, the "I" as both subject and object, distinguishes Dickinson's poetry, in a small but important group of poems, this self-preoccupation becomes a kind or self-declaration. Struggling to free or to claim her identity, often from a husband or father (god) figure, the speaker is not difficult to overhear. The voice is so distinctive and so much a contrast to the traditional (mythical) voices which we often identify as Dickinson's as to seem almost compensatory.
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