Artist And Public, And Other Essays On Art Subjects
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In our eReader you can find the full English version of the book. Read Artist And Public, And Other Essays On Art Subjects Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Artist And Public, And Other Essays On Art Subjects
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"St. Jerome in the Desert. 1 In the Brera Gallery, Milan.
TWO WAYS OF PAINTING everything else on his canvas as to in- tensify its action and expression. The gaze of the saint is fixed upon a crucifix high on the right of the picture, and the book behind him, the lines of the rocks, the masses of the foliage, even the gen- eral formation of the ground, are so disposed as to echo and reinforce the great diagonal. There is a splendid energy of invention in the drawing of the tree stems, but the e...ffect is clear and simple with nothing of Sargent's dazzle and con- fusion. As for the Hon, he is a mere neces- sary mark of identification, and Titian has taken no interest in him.
Now, it is evident that there is not nearly so much literal truth to the ap- pearance of nature in this picture as in Sargent's. It is not only that it would never have occurred to Titian to try to paint the glittering spottiness of sun- light splashing through leafage, or to at- tempt to raise his key of light to some- [143] ARTIST AND PUBLIC thing like that of nature, at the cost of fulness of color.
What to read after Artist And Public, And Other Essays On Art Subjects?
You can find similar books in the "Read Also" column, or choose other free books by Cox, Kenyon, 1856-1919 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
"St. Jerome in the Desert. 1 In the Brera Gallery, Milan.
TWO WAYS OF PAINTING everything else on his canvas as to in- tensify its action and expression. The gaze of the saint is fixed upon a crucifix high on the right of the picture, and the book behind him, the lines of the rocks, the masses of the foliage, even the gen- eral formation of the ground, are so disposed as to echo and reinforce the great diagonal. There is a splendid energy of invention in the drawing of the tree stems, but the e...ffect is clear and simple with nothing of Sargent's dazzle and con- fusion. As for the Hon, he is a mere neces- sary mark of identification, and Titian has taken no interest in him.
Now, it is evident that there is not nearly so much literal truth to the ap- pearance of nature in this picture as in Sargent's. It is not only that it would never have occurred to Titian to try to paint the glittering spottiness of sun- light splashing through leafage, or to at- tempt to raise his key of light to some- [143] ARTIST AND PUBLIC thing like that of nature, at the cost of fulness of color.
What to read after Artist And Public, And Other Essays On Art Subjects?
You can find similar books in the "Read Also" column, or choose other free books by Cox, Kenyon, 1856-1919 to read onlineMoreLess
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