Arts And Crafts of Old Japan
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It must not be supposed, however, that with the coming of the Sesshiu and Kano schools the old Tosa style had been driven out. It continued to exist alongside the newer schools, and many artists changed from one style to the other according to subject. The Tosa school at this time was distinguished by a minuteness of detail, and also by a richness of colour which gradually came to affect the Kano artists, whose work became much brighter in colour as time went 38 BIRD AND PINE BRANCH From a Kake...mono by Naonobu (British Museum) PAINTING on. Sesshiu, Masanobu, and Motonobu worked chiefly in monochrome, using colour sparingly ; but Sanraku's work, a hundred years later, is full of fresh, bright tints. A curious convention of the Tosa painters in their historical subjects was to leave out the roof of a house in order to expose the interior to view.
We now come to Ogata Korin, one of the most individual of all Japanese artists. Born in 1 66 1, he is said to have studied under Yasunobu, and the influence of Sotatsu seems to appear in his work ; but he can be classed with no existing school, striking out an entirely new line for himself.
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You can find similar books in the "Read Also" column, or choose other free books by Stewart Dick to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
It must not be supposed, however, that with the coming of the Sesshiu and Kano schools the old Tosa style had been driven out. It continued to exist alongside the newer schools, and many artists changed from one style to the other according to subject. The Tosa school at this time was distinguished by a minuteness of detail, and also by a richness of colour which gradually came to affect the Kano artists, whose work became much brighter in colour as time went 38 BIRD AND PINE BRANCH From a Kake...mono by Naonobu (British Museum) PAINTING on. Sesshiu, Masanobu, and Motonobu worked chiefly in monochrome, using colour sparingly ; but Sanraku's work, a hundred years later, is full of fresh, bright tints. A curious convention of the Tosa painters in their historical subjects was to leave out the roof of a house in order to expose the interior to view.
We now come to Ogata Korin, one of the most individual of all Japanese artists. Born in 1 66 1, he is said to have studied under Yasunobu, and the influence of Sotatsu seems to appear in his work ; but he can be classed with no existing school, striking out an entirely new line for himself.
What to read after Arts And Crafts of Old Japan?
You can find similar books in the "Read Also" column, or choose other free books by Stewart Dick to read onlineMoreLess
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