Aspects of Modern Opera Estimates And Inquiries
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In our eReader you can find the full English version of the book. Read Aspects of Modern Opera Estimates And Inquiries Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Aspects of Modern Opera Estimates And Inquiries
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It is by no means an evident or settled truth that music is incapable of uttering anything but worthy emotions, ideas, concepts. There is music by Berlioz, by Liszt, by Wagner, by Rimsky-KorsakorT, by Strauss himself, which is, in its emotional 80 MODERN OPERA substance, sinister, demonic, even pornographic in suggestion ; and not simply by reason of a key furnished by text, motto, or dramatic subject, but in itself — in its quality and character as music. But the claim need not be elaborated, ...or even demonstrated, since it is beside the point. One quarrels with the music of the final scene of "Salome" on the broad ground of its inappropri- ateness : because the emotional note which it strikes and sustains is one of nobility, whereas the plain re- quirement of the scene, of the psychological moment, demands music that should be anything but 6 81 ASPECTS OF noble. And here we encounter the objections of those who hold that Salome herself, at the moment of her apostrophe to the dead head, becomes transfigured, uplifted through the power of a great and purifying love.
What to read after Aspects of Modern Opera Estimates And Inquiries?
You can find similar books in the "Read Also" column, or choose other free books by Gilman Lawrence to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
It is by no means an evident or settled truth that music is incapable of uttering anything but worthy emotions, ideas, concepts. There is music by Berlioz, by Liszt, by Wagner, by Rimsky-KorsakorT, by Strauss himself, which is, in its emotional 80 MODERN OPERA substance, sinister, demonic, even pornographic in suggestion ; and not simply by reason of a key furnished by text, motto, or dramatic subject, but in itself — in its quality and character as music. But the claim need not be elaborated, ...or even demonstrated, since it is beside the point. One quarrels with the music of the final scene of "Salome" on the broad ground of its inappropri- ateness : because the emotional note which it strikes and sustains is one of nobility, whereas the plain re- quirement of the scene, of the psychological moment, demands music that should be anything but 6 81 ASPECTS OF noble. And here we encounter the objections of those who hold that Salome herself, at the moment of her apostrophe to the dead head, becomes transfigured, uplifted through the power of a great and purifying love.
What to read after Aspects of Modern Opera Estimates And Inquiries?
You can find similar books in the "Read Also" column, or choose other free books by Gilman Lawrence to read onlineMoreLess
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