Bedouins: Mary Garden, Debussy, Chopin Or the Circus. Botticelli, Poe ...

Cover Bedouins: Mary Garden, Debussy, Chopin Or the Circus. Botticelli, Poe ...
Bedouins: Mary Garden, Debussy, Chopin Or the Circus. Botticelli, Poe ...
Huneker James
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To quickly assess the difficulty of the text, read a short excerpt:

Its criticism is venal.'* As for the theatre — ^from the frying-pan into the fire ! The theatre is the prey of mediocrity, wherein Le Maltre de Forges is pronounced a masterpiece !
The comedians ("les tripots revenus; caboti* nisme'O of La Com6die Frangaise come in for their share. Emile Zola, naturally enough, has his allegiance, but he dealt hard raps on the skulls of his followers, the Zolaettes, who himg on the fringe of the novelist's dressing-gown.
He admired Barbey d'Aurevilly and E16mir
... Bourges, as well he might; he attacked Daudet, Paul Bourget, Ohnet, Legouv6, Feuillet, Sarcey — dear old Uncle Sarcey, how Huysmans and Mirbeau did poimd him ! — and, last and worst, the art-critic of the Figaro ^ Albert Wolff. But he deserved the flaying.
In La Presse Mirbeau saluted the genius of Rodin, Maupassant, and praised Paul HervieiL He adored Victor Hugo, not only as supreme poet but as hmnanitarian — the very quality that to-day so many find monotonous in his lyrics.
But there was more than a strain of humanitari- anism in Mirbeau.


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