Belcaro Being Essays On Sundry Aesthetical Questions
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here, in this delicate, dignified, idyllic performance? The whole? Why then, where, if this was the whole of Mozart's con- ception, where was Cherubino, where was the page? Why, nowhere. Now that the song had been presented to us in its untampered perfection, that the thought of the composer was clear to us now that we could begin to analyse the difference between this performance and the performances of other singers we began to see, vaguely at first and not without doubts of our powers of sig...ht, but to see, and more and more distinctly the o longer we looked, that Cherubino was not in Mozart's work, but merely in Beaumarchais. A very singular conclusion to arrive at, but one not to be shirked : Cherubino had passed into the words of Mozart's Italian libretto, he had passed into the dress, the face, the feature, the action of the thousands of performers who- CHERUBINO. 135 had sung the " Marriage of Figaro " on the stage ; but he had not passed into Mozart's notes ; and because he had not entered into those notes, that subtle and serious little Spaniard, who had seen and understood so well the meaning and beauty of Mozart's music, had known nothing of Cherubino.
What to read after Belcaro Being Essays On Sundry Aesthetical Questions?
You can find similar books in the "Read Also" column, or choose other free books by Lee, Vernon, 1856-1935 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
here, in this delicate, dignified, idyllic performance? The whole? Why then, where, if this was the whole of Mozart's con- ception, where was Cherubino, where was the page? Why, nowhere. Now that the song had been presented to us in its untampered perfection, that the thought of the composer was clear to us now that we could begin to analyse the difference between this performance and the performances of other singers we began to see, vaguely at first and not without doubts of our powers of sig...ht, but to see, and more and more distinctly the o longer we looked, that Cherubino was not in Mozart's work, but merely in Beaumarchais. A very singular conclusion to arrive at, but one not to be shirked : Cherubino had passed into the words of Mozart's Italian libretto, he had passed into the dress, the face, the feature, the action of the thousands of performers who- CHERUBINO. 135 had sung the " Marriage of Figaro " on the stage ; but he had not passed into Mozart's notes ; and because he had not entered into those notes, that subtle and serious little Spaniard, who had seen and understood so well the meaning and beauty of Mozart's music, had known nothing of Cherubino.
What to read after Belcaro Being Essays On Sundry Aesthetical Questions?
You can find similar books in the "Read Also" column, or choose other free books by Lee, Vernon, 1856-1935 to read onlineMoreLess
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