Birds Illustrated By Color Photography [august, 1897]

Cover Birds Illustrated By Color Photography [august, 1897]
Birds Illustrated By Color Photography [august, 1897]
Various
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Chapman says, "knowing their calls, you haveonly to pass a May or June evening near a marsh to learn whether theyinhabit it. If there, they will greet you late in the afternoon witha clear whistled _ker-wee_, which soon comes from dozens of invisiblebirds about you, and long after night has fallen, it continues like aspringtime chorus of piping hylas. Now and again it is interrupted bya high-voiced, rolling whinney, which, like a call of alarm, is takenup and repeated by different birds all ove...r the marsh. " Poor Red-Breasted Merganser! He has only one note, a croak. Perhapsit was of him that Bryant was thinking when he wrote the stanzas "Toa Water-Fowl. " "The sentiment of feeling awakened by any of the aquatic fowls ispre-eminently one of loneliness, " says John Burroughs. "The Wood Duck(see July BIRDS) which you approach, starts from the pond or themarsh, the Loon neighing down out of the April sky, the Wild Goose, the Curlew, the Stork, the Bittern, the Sandpiper, etc. , awaken quitea different train of emotions from those awakened by the land birds.

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