Bulletin Krannert Art Museum volume 5 No 1 2 1979 1980
Bulletin Krannert Art Museum volume 5 No 1 2 1979 1980
Krannert Art Museum
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One might once again observe that the tooling of the San Francisco and Princeton panels relies on a fornnula found in the Cleveland altarpiece: one double bordered band, a passage of engraved scroll-work against a cross-hatched background, and another double-bordered band close to the subject's head, while St. Catherine's nimbus lacks the inner double-bordered band. But the formula used on the Cleveland altarpiece as well as on all but the St. Catherine panel is followed only within the bounds ...of certain aesthetic considerations and other, overriding, practical considerations. Thus, while St. Louis's nimbus contains portions of the inner double bordered band next to the left side of his face, only fragments of a single curved line are to be seen behind the upper left and middle right edges of the Magdalene's face. Her cloak obscures the completion of the formula, just as St. Louis's mitre obscures a good deal of his nimbus. Only portions of a single engraved line can be seen as well in the inner portion of the Virgin's nimbus.
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