Bulletin Krannert Art Museum volume 9 No 2 1983
Bulletin Krannert Art Museum volume 9 No 2 1983
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He has the shape of a fat child. This figure possesses perfect wisdom. "'" The pictographic attributes of Fudo were amplified in the Dainichi-kyo-so. A commentary on the Dainichi-kyo, written by Zenmui and his disciple Ichigyo (683-727) between 725 and 727. "In painting Fudo-My5o, Buddha's messenger is made in the shape of a child. In his right hand he holds the sword of great wisdom. In his left hand he holds a lasso. On his head there is a top knot while curled hair falls on his left shoulder.... His left eye is almost closed. The lower teeth bite the right side of the upper lip while the left side of the lower lip protrudes. On his forehead there is the impression of water waves. Sitting on a rock, he looks humble and his body is solid and fat. " He is extremely angry. "'^ The Fudo-Myoo in the Museum's collection (fig. 1) adheres to iconographic details in both the 19 Dainichikyo and Dainichikyoso The ligure's physiognomy and body, the latter fleshy and robust, singuiarize an adolescent " In his right hand he holds a sword (ken) and in his left hand he held a now missing lasso (kensaku).
What to read after Bulletin Krannert Art Museum volume 9 No 2 1983?
You can find similar books in the "Read Also" column, or choose other free books by Krannert Art Museum to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
He has the shape of a fat child. This figure possesses perfect wisdom. "'" The pictographic attributes of Fudo were amplified in the Dainichi-kyo-so. A commentary on the Dainichi-kyo, written by Zenmui and his disciple Ichigyo (683-727) between 725 and 727. "In painting Fudo-My5o, Buddha's messenger is made in the shape of a child. In his right hand he holds the sword of great wisdom. In his left hand he holds a lasso. On his head there is a top knot while curled hair falls on his left shoulder.... His left eye is almost closed. The lower teeth bite the right side of the upper lip while the left side of the lower lip protrudes. On his forehead there is the impression of water waves. Sitting on a rock, he looks humble and his body is solid and fat. " He is extremely angry. "'^ The Fudo-Myoo in the Museum's collection (fig. 1) adheres to iconographic details in both the 19 Dainichikyo and Dainichikyoso The ligure's physiognomy and body, the latter fleshy and robust, singuiarize an adolescent " In his right hand he holds a sword (ken) and in his left hand he held a now missing lasso (kensaku).
What to read after Bulletin Krannert Art Museum volume 9 No 2 1983?
You can find similar books in the "Read Also" column, or choose other free books by Krannert Art Museum to read onlineMoreLess
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