Burglar Bill And Other Pieces for the Use of the Young Reciter With Introducti
Burglar Bill And Other Pieces for the Use of the Young Reciter With Introducti
F Anstey
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. . He's You ! ! ! [Shout at " You ; " then crestfalleti. So ye're not on the boards, but between 'em ? . . , [Change to hasty and confused apology. . . . Excuse me, — I've suthin' to do ! [Go off hurriedly, ivith air of man ivho has just recollected an appointment. Should you do this with any dramatic force at all, yoa may reckon upon enlisting the sympathies of the audience for the severe disillusion you have suffered. THE WOOING OF THE LADY AMABEL. EXAMPLE No. 7. Style : Tlie " Sensuously Ha...rrowhu). " Most young male Reciters cherish a secret persuasion that it has been peculiarly given to them to represent the vary- ing j)hases of the feminine temperament in a manner equally truthful and pleasing. Mindful of this characteristic of theirs, the author has endeavoured in the present example to provide conscious talent with exceptional facilities for dis- play. The young Reciter is hereby enabled to portray with all the marvellous fidelity at his command a highborn maiden in a situation of exquisite delicacy and embarrass- ment ; he can work his hearers up to a pitch of tantalised impatience, otherwise known as " the fidgets, " by the art with which he prolongs and intensifies a mutual misunder- standing ; and he can leave them with aching hearts, or in smiling relief — just as his tastes incline.
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