Call Me Anna: the Autobiography of Patty Duke

Cover Call Me Anna: the Autobiography of Patty Duke
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But just once as I was starting The Miracle Worker stage run and just once as I was ending it, I appeared in prestigious TV productions that were too glamorous for John and Ethel to resist.
“One Red Rose For Christmas,” a U.S. Steel Hour I did with Helen Hayes, was a terrific tearjerker about a cranky nun and this one belligerent orphan in a sea of sad little waifs. The nun is mean to the troublesome tyke, who ends up accidentally setting fire to the orphanage, starting a blaze in which a sweet
...cherubic nun, who just happens to be the bad nun’s sister, dies. Finally, in whatever part of the place is left standing, Helen Hayes is on her knees praying to God for forgiveness because her hatred of me had led to this tragedy. Hating is bad if you’re a nun, I guess. She asks for a sign and, on Christmas Eve no less, I bring her one red rose. The show was such a hit in the fall of 1958 that we did it again a year later.
In 1961, toward the end of The Miracle Worker’s run, I appeared in the David Susskind production of Graham Greene’s novel The Power and the Glory along with Julie Harris, George C.


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