Character Building And Reading a Correlation of the Facts of Psychology And Phy

Cover Character Building And Reading a Correlation of the Facts of Psychology And Phy
Character Building And Reading a Correlation of the Facts of Psychology And Phy
Jean Morris Ellis
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If you follow one with this manner of gait you will find no wavering, winding "calf path. " The timid walk is hesitant, short stepped, halting and irresolute. Trie body is bent for- ward as if looking for trouble, the eyes and head turn quickly hither and thither, as if an- ticipating disaster.
The secretive walk. Here we find the body carried well forward, often with hands ad- vanced as though ready to ward off surprise. The walk is intoed or straight and either flat- footed or tiptoe, but alw
...ays silent and stealthy. The eyes glance from side to side without movement of the head. The clothing is but- toned tight — close-reefed as it were — and the attitude crouching and tense.
The candid walk. In this we find the toes turned well out, a free, swinging step, body carried well back and an absence of the close- reefed style of dress. Hands often clasped be- hind or freely swinging.
The agitated walk is quick, nervous and un- even ; the glances sharp, rapid and strained.
The self-poised walk has harmony in every movement, it is sure, even, and the ground is covered with very little apparent effort.


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