Chats On Japanese Prints
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His teacher was Shigenaga ; this master died not long after Shigemasa com- menced work with him. Thus Shigemasa began painting early enough to be influenced by the last of the Primitives ; and his first prints, dating from about 1764, are graceful three-colour renderings of actor-themes in the manner of Kiyomitsu, and more brutal ones in the manner of Kiyo- masu With the rise of Harunobu and the perfection of polychrome printing, Shigemasa turned to that style ; later he followed Koriusai, in w...hose manner he produced some wonderfully beautiful large shee;ts of women and some fine pillar-prints. Still later he fol- lowed the style of Shunsho. Together with this artist he produced in 1786 a set of ten small sheets repre- senting the various stages of sericulture, in which he surpasses his collaborator. The same two artists had KITAO SHIGEMASA.
202 CHATS ON JAPANESE PRINTS earlier collaborated, in 1776, to produce the famous illustrated book " Mirror of the Beauties of the Green Houses." These illustrations are not signed ; but comparing them with Shigemasa's portion of the sericulture series, which are signed separately by the two artists, we may well believe that a large part of the peculiar grace of the " Green Houses " is Shigemasa's and not Shunsho's contribution.
What to read after Chats On Japanese Prints?
You can find similar books in the "Read Also" column, or choose other free books by Ficke Arthur Davison to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
His teacher was Shigenaga ; this master died not long after Shigemasa com- menced work with him. Thus Shigemasa began painting early enough to be influenced by the last of the Primitives ; and his first prints, dating from about 1764, are graceful three-colour renderings of actor-themes in the manner of Kiyomitsu, and more brutal ones in the manner of Kiyo- masu With the rise of Harunobu and the perfection of polychrome printing, Shigemasa turned to that style ; later he followed Koriusai, in w...hose manner he produced some wonderfully beautiful large shee;ts of women and some fine pillar-prints. Still later he fol- lowed the style of Shunsho. Together with this artist he produced in 1786 a set of ten small sheets repre- senting the various stages of sericulture, in which he surpasses his collaborator. The same two artists had KITAO SHIGEMASA.
202 CHATS ON JAPANESE PRINTS earlier collaborated, in 1776, to produce the famous illustrated book " Mirror of the Beauties of the Green Houses." These illustrations are not signed ; but comparing them with Shigemasa's portion of the sericulture series, which are signed separately by the two artists, we may well believe that a large part of the peculiar grace of the " Green Houses " is Shigemasa's and not Shunsho's contribution.
What to read after Chats On Japanese Prints?
You can find similar books in the "Read Also" column, or choose other free books by Ficke Arthur Davison to read onlineMoreLess
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